Sunday July 7 | 2 pm
Back in Quebec following a long absence, the outstanding Venice Baroque Orchestra, which specializes in music of the seventeenth and eighteenth centuries, takes us on an excursion from Naples to Venice during the time of Vivaldi, exploring the flamboyant scores of the Red Priest (including The Four Seasons) and his contemporaries. Expect to be dazzled!
VENICE BAROQUE ORCHESTRA
Anna FUSEK, recorder
Gianpiero ZANOCCO, violin
Massimo RACCANELLI, cello
Francesco GEMINIANI Concerto grosso in D minor, “La Follia”, Op. V, No. 12
Tomaso ALBINONI Concerto in G major for strings and basso continuo, Op. VII, No. 4
Antonio VIVALDI Concerto in A minor for cello, strings and basso continuo, RV 419
Concerto in C major for recorder and strings, RV 443
The Four Seasons
Concerto in E major, “Spring”, Op. VIII, No. 1
Concerto G minor, “Summer”, Op. VIII, No. 2
Concerto in F major, “Autumn”, Op VIII, No. 3
Concerto in F minor, “Winter”, Op. VIII, No. 4
Venice Baroque Orchestra
Founded in 1997 by Baroque scholar and harpsichordist Andrea Marcon, the Venice Baroque Orchestra is recognized as one of the very finest period instrument ensembles. The Orchestra has received wide critical acclaim for its concert and opera performances throughout North America, Europe, South America, Japan, Korea, Taiwan, and China, and has appeared in many more cities across the United States than any other Baroque orchestra in history.
Committed to the rediscovery of 17th– and 18th-century masterpieces, under Mr. Marcon’s leadership VBO has given the modern-day premieres of Francesco Cavalli’s L’Orione, Vivaldi’s Atenaide, Andromeda liberata, Benedetto Marcello’s La morte d’Adone and Il trionfo della poesia e della musica, and Boccherini’s La Clementina. With Teatro La Fenice in Venice, the Orchestra has staged Cimarosa’s L’Olimpiade, Handel’s Siroe, and Galuppi’s L’Olimpiade, and reprised Siroe at the Brooklyn Academy of Music in New York in its first full staging in the United States. The orchestra has been seen worldwide through several television specials, including films by the BBC, ARTE, NTR (Netherlands), and NHK. They are the subject of three recent video recordings, and their performances were also featured on Swiss TV in the documentary film by Richard Dindo, Vivaldi in Venice.
In 2018 VBO embarked on two tours with countertenor Franco Fagioli, with concerts in London, Ljubljana, Versailles, Japan and China. The Orchestra’s annual US tour featured Anna Fusek on recorders. Recent festival appearances included Enescu Festival with mezzo-soprano Magdalena Kožená, Grafenegg with harpist Xavier de Maistre, and Schleswig Holstein with mandolinist Avi Avital. Recent seasons included performances of Vivaldi’s Juditha triumphans at Carnegie Hall, London’s Barbican Centre, and Brussels’ Palais des Beaux-Arts, marking the occasion of the 300th anniversary of the oratorio’s premiere in Venice; performances with violinist Viktoria Mullova at Vienna’s Musikverein and in Budapest; an 18-city tour of the US featuring violinist Nicola Benedetti; and a tour of Japan with mandolinist Avi Avital.
The Orchestra’s latest recording, featuring Avi Avital in Vivaldi concertos, was released by Deutsche Grammophon. The previous recording, featuring Philippe Jaroussky in Porpora arias on the Erato label, received a Grammy nomination. The Orchestra has also been honored with the Diapason d’Or, Echo Award, and the Edison Award.
The Venice Baroque Orchestra is supported by Fondazione Cassamarca in Treviso.