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Jordi Savall
Royal Concerts in the Baroque Versailles

A special edition concert at the Festival

February 26, 2022 Joliette Cathedral 7:30 p.m.

Royal Concerts in the
Baroque Versailles

Thirty-two years after their Quebec debut, the peerless Jordi Savall and his ensemble Le Concert des Nations return to Lanaudière, bringing audiences the splendour of Versailles in the Baroque period. This rare and exceptional event is the perfect remedy against the winter doldrums, a haven of beauty and warmth.

When?
February 26, 7:30 p.m.

Where?
Joliette Cathedral

Given the current public health situation, the Festival de Lanaudière will release a limited number of tickets for sale and will ensure that all  health standards in effect at the time of the concert are respected. The Festival’s team is committed to producing events that provide delight, while also maintaining the safety and health of its audiences.

Jordi Savall

For more than fifty years, Jordi Savall, one of the most versatile musical personalities of his generation, has rescued musical gems from the obscurity of neglect and oblivion and given them back for all to enjoy. A tireless researcher into early music, he interprets and performs the repertory both as a gambist and a conductor. His activities as a concert performer, teacher, researcher and creator of new musical and cultural projects have made him a leading figure in the reappraisal of historical music. Together with Montserrat Figueras, he founded the ensembles Hespèrion XXI (1974), La Capella Reial de Catalunya (1987) and Le Concert des Nations (1989), with whom he explores and creates a world of emotion and beauty shared with millions of early music enthusiasts around the world.

Savall has recorded and released more than 230 discs covering the Medieval, Renaissance, Baroque and Classical music repertories, with a special focus on the Hispanic and Mediterranean musical heritage, receiving many awards and distinctions such as the Midem Classical Award, the International Classical Music Award and the Grammy Award. His concert programmes have made music an instrument of mediation to achieve understanding and peace between different and sometimes warring peoples and cultures. Accordingly, guest artists appearing with his ensembles include Arab, Israeli, Turkish, Greek, Armenian, Afghan, Mexican and North American musicians. In 2008 Jordi Savall was appointed European Union Ambassador for intercultural dialogue and was named “Artist for Peace” under the UNESCO “Good Will Ambassadors” programme.

Jordi Savall’s prolific musical career has brought him the highest national and international distinctions, including honorary doctorates from the Universities of Evora (Portugal), Barcelona (Catalonia), Louvain (Belgium) and Basel (Switzerland), the order of Chevalier de la Légion d’Honneur (France), the Praetorius Music Prize awarded by the Ministry of Culture and Science of Lower Saxony, the Gold Medal of the Generalitat of Catalonia, the Helena Vaz da Silva Award and the prestigious Léonie Sonning Prize, which is considered the Nobel prize of the music world. “Jordi Savall testifies to a common cultural inheritance of infinite variety. He is a man for our time” (The Guardian, 2011).

Le Concert des Nations

Founded in 1989 by Jordi Savall and Montserrat Figueras during the preparation of their project on Marc-Antoine Charpentier’s Canticum Beatae Virginis, the orchestra Le Concert des Nations was born out of the need for an orchestra of period instruments capable of performing a repertory spanning from the Baroque to the Romantic period (1600-1850). Its name comes from François Couperin’s work Les Nations, a concept which represents the coming together of musical tastes and the idea that Art in Europe would always bear its own particular stamp, that of the Age of Enlightenment.

Le Concert des Nations, under the direction of Jordi Savall, was the first orchestra to be composed of a majority of musicians from Latin countries (Spain, Latin America, France, Italy, Portugal, etc.), all leading international specialists in the performance of early music using original period instruments on historical principles. From the outset, the group’s manifest aim has been to raise audiences’ awareness of an historical repertory of great quality by combining rigorous respect for the original spirit of each work with a revitalising approach to their performance, as is apparaent from their recordings of works by Charpentier, J. S. Bach, Haydn, Mozart, Handel, Marais, Arriaga, Beethoven, Purcell, Dumanoir, Lully, Biber, Boccherini, Rameau and Vivaldi.

In 1992 Le Concert des Nations made its opera debut with a production of Martín i Soler’s Una Cosa Rara staged at the Théatre des Champs Élysées in Paris, the Gran Teatre del Liceu in Barcelona and the Auditorio Nacional in Madrid. The group subsequently performed in Claudio Monteverdi’s L’Orfeo at the Gran Teatre del Liceu, the Teatro Real in Madrid, the Konzerthaus in Vienna, the Arsenal in Metz and the Teatro Regio in Turin. In 2002 the production returned to the re-opened Teatre del Liceu in Barcelona, where it was recorded for a BBC-Opus Arte DVD. It was subsequently also staged at the Palais des Arts in Brussels, the Grand-Théâtre in Bordeaux and the Piccolo Teatro in Milan during the Mito Festival. In 1995 the orchestra performed another opera by Martín i Soler, Il Burbero di Buon Cuore in Montpeller, followed in 2000 by Juan Hidalgo and Calderón de la Barca’s Celos aun del Ayre matan staged in a concert version in Barcelona and Vienna. Recent productions have included Vivaldi’s Farnace, staged at the Teatro de la Zarzuela in Madrid, and Vivaldi’s Il Teuzzone, performed in a semi-concert version at the Òpera Royal at Versailles.

 

Le Concert des Nations’ numerous recordings have won various awards and distinctions, including the Midem Classical Award and the International Classical Music Awards. The impact of their productions, recordings and performances in the major cities and music festivals around the world have earned them recognition as one of the best orchestras specialising in performance using period instruments and an eclectic, diverse repertory ranging from the earliest music composed for orchestra to the masterpieces of the Romantic and Classical periods.

With the support of

Département de la Culture de la Generalitat de Catalunya et de l’Institut Ramon Llull.

Direction Régionale des Affaires Culturelles Occitanie.